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Luís Henriques

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Recordings

Duarte Lobo • Asperges me

2019-09-30
By: Luís Henriques
On: 30/09/2019
In: Ensemble Eborensis, Listening, Recordings

This polyphony setting of the antiphon Asperges me comes from Portuguese composer Duarte Lobo’s first Liber Missarum of 1621. It was one of the books Lobo printed in Antwerp at the famous Officina Plantiniana by Balthazar Moretus.Read more

Manuel Cardoso • In Monte Oliveti

2019-09-11
By: Luís Henriques
On: 11/09/2019
In: Ensemble da Sé de Angra, Recordings

In February 2013 I made several concerts with Ensemble da Sé de Angra in Terceira Island (Azores). One of these concerts was in the Church of Santa Cruz of Praia da Vitória, where we made the recording presented in this post.Read more

Estêvão de Brito – Stabat Mater

2019-08-26
By: Luís Henriques
On: 26/08/2019
In: Ensemble da Sé de Angra, Recordings

This two-verse polyphonic setting of the hymn Stabat Mater dolorosa  is attributed to Portuguese composer Estêvão de Brito (c.1575-1641) and is now preserved in a 18th-century copied choirbook in Málaga Cathedral, where Brito was chapel master in the beginning of the 17th century.Read more

Lamentations by Fr. Manuel Cardoso

2019-08-04
By: Luís Henriques
On: 04/08/2019
In: Ensemble Eborensis, Recordings

In 2016 was the 450th anniversary of Portuguese composer frei Manuel Cardoso’s birth. He was baptized on December 11, 1566, in the Church of Fronteira, a small village near the Spanish border. He wrote several Lamentations settings for the Triduum Sacrum published in his collection Livro de varios motetes… printedRead more

Presentation of the Schola of Ensemble Eborensis CD

2019-06-15
By: Luís Henriques
On: 15/06/2019
In: Ensemble Eborensis, Recordings

It’s been four years since the official presentation of the CD “The tridentine reformation and the music in the silence of the cloister: The monastery of São Bento de Cástris, a project of the Ensemble Eborensis I directed, forming a plainchant schola.Read more

Estêvão Lopes Morago • O bone Jesu

2019-06-07
By: Luís Henriques
On: 07/06/2019
In: Ensemble da Sé de Angra, Recordings

In late July and early August of 2012 I helped organizing the Festival Iberian Music 16th & 17th Centuries in Angra do Heroísmo (Terceira Island, Azores), a five-concert marathon during a week in the churches of the city that have organs. It combined the performance of Iberian organ music withRead more

Estêvão Lopes Morago • Oculi mei semper ad Dominum

2019-03-13
By: Luís Henriques
On: 13/03/2019
In: Ensemble Eborensis, Listening, Recordings

On June 4th, 2014, I made some recordings with Ensemble Eborensis of the repertory we were singing at the time, taking advantage of the generous acoustic of the archaeology wing of the then Évora Regional Museum (now National Museum Fr. Manuel do Cenáculo), which used to be the archiepiscopal palaceRead more

Cistercian Plainchant from Évora

2019-03-08
By: Luís Henriques
On: 08/03/2019
In: Listening, Recordings

In 2014 I had the opportunity of participating in an interdisciplinary research project, ORFEUS – The tridentine reformation and the music in the silence of the cloister: the monastery of S. Bento de Cástris, that involved musicology, architecture, art history, acoustic engineering and codicology.Read more

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16th Century (22) 17th Century (40) 18th Century (31) 19th Century (6) ACROARTE (3) Analysis (2) Angra do Heroísmo (7) Art History (4) Article (7) Azores (13) Book Chapter (2) CESEM (4) Cistercians (8) Colloquium (4) Concert (4) Conference (8) Congress (4) Ensemble Eborensis (3) Exhibition (3) Heritage (2) Instrumental Music (11) Lamentation (2) Magnificat (4) Motet (23) MPMP (6) Musicology (3) Organ (4) Organology (3) Paper (11) Photo (8) Plainchant (7) Polyphony (53) Psalm (3) Responsory (2) S. Bento de Cástris (10) Sacred Music (56) Secular Music (4) Sheet Music (10) Soundscapes (13) Theory (3) Tour (4) University of Évora (9) Video (20) Évora (19) Évora Cathedral (24)

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