This polyphony setting of the antiphon Asperges me comes from Portuguese composer Duarte Lobo’s first Liber Missarum of 1621. It was one of the books Lobo printed in Antwerp at the famous Officina Plantiniana by Balthazar Moretus.Read more
In February 2013 I made several concerts with Ensemble da Sé de Angra in Terceira Island (Azores). One of these concerts was in the Church of Santa Cruz of Praia da Vitória, where we made the recording presented in this post.Read more
This two-verse polyphonic setting of the hymn Stabat Mater dolorosa is attributed to Portuguese composer Estêvão de Brito (c.1575-1641) and is now preserved in a 18th-century copied choirbook in Málaga Cathedral, where Brito was chapel master in the beginning of the 17th century.Read more
In 2016 was the 450th anniversary of Portuguese composer frei Manuel Cardoso’s birth. He was baptized on December 11, 1566, in the Church of Fronteira, a small village near the Spanish border. He wrote several Lamentations settings for the Triduum Sacrum published in his collection Livro de varios motetes… printedRead more
It’s been four years since the official presentation of the CD “The tridentine reformation and the music in the silence of the cloister: The monastery of São Bento de Cástris, a project of the Ensemble Eborensis I directed, forming a plainchant schola.Read more
In late July and early August of 2012 I helped organizing the Festival Iberian Music 16th & 17th Centuries in Angra do Heroísmo (Terceira Island, Azores), a five-concert marathon during a week in the churches of the city that have organs. It combined the performance of Iberian organ music withRead more
On June 4th, 2014, I made some recordings with Ensemble Eborensis of the repertory we were singing at the time, taking advantage of the generous acoustic of the archaeology wing of the then Évora Regional Museum (now National Museum Fr. Manuel do Cenáculo), which used to be the archiepiscopal palaceRead more
In 2014 I had the opportunity of participating in an interdisciplinary research project, ORFEUS – The tridentine reformation and the music in the silence of the cloister: the monastery of S. Bento de Cástris, that involved musicology, architecture, art history, acoustic engineering and codicology.Read more