Last 18 May I gave a tour on the Historical Soundscapes theme through some of the city’s historical centre streets with focus on the religious institutions during the seventeenth and eighteenth centuries.Read more
Photo from my paper presentation at the IV Simpósio Internacional Jóvenes Investigadores del Barroco Iberoamericano, in Cáceres last April 10th, where I gave some perspectives of transition in the works of Évora Cathedral composers Diogo Dias Melgaz (1638-1700) and Pedro Vaz Rego (1673-1736).Read more
Tomorrow, April 10th, I’ll be presenting a paper at the first day of the IV Simposio Internacional Jóvenes Investigadores del Barroco Iberoamericano “Las orillas del Barroco”, in the beautiful city of Cáceres (Spain).Read more
Tomorrow, March 21st, is seventh edition of the European Day for Early Music. I will be participating, although indirectly, with Grupo Vocal Olisipo for whom I have prepared several editions of eighteenth-century vocal polyphony by composers of Évora Cathedral.Read more
Several of my editions of eighteenth-century sacred vocal polyphony were performed in concert last March 16th in Porto Moniz, Madeira Island, by Grupo Vocal Olisipo. The concert was part of the festival “Música a Norte – Ciclo de Música Barroca” promoted by the Regional Government, and this concert was titledRead more
An edition of three motets for Advent by Francisco José Perdigão, a late-eighteenth-century chapel master of Évora Cathedral, that I prepared for the Sacra XVIII series of the Editions MPMP (it will be published in early-2019 and will be available HERE) will be performed by Grupo Vocal Olisipo, a Lisbon-basedRead more
Photo from my presentation at the CESEM/UÉvora Conferences in Music and Musicology, where I talked about Diogo Dias Melgaz’s beautiful motet Memento homo.Read more
In 2014 I prepared an edition of Matheo d’Aranda’s surviving polyphonic works for the number 11 of the Polyphonia series of musical editions published by the Edições MPMP of Movimento Patrimonial pela Música Portuguesa.Read more
The second review I wrote for the online edition of the Portuguese classical music magazine Glosas, of the second concert of XXI International Workshop Évora Cathedral Music School, last October 6th in Évora Cathedral.Read more
Review for the online edition of the Portuguese classical music magazine Glosas, of the concert by vocal group Contrapunctus (dir. Owen Rees) last October 5th in Évora Cathedral.Read more