Photo from my paper presentation at the IV Simpósio Internacional Jóvenes Investigadores del Barroco Iberoamericano, in Cáceres last April 10th, where I gave some perspectives of transition in the works of Évora Cathedral composers Diogo Dias Melgaz (1638-1700) and Pedro …
Tomorrow, April 10th, I’ll be presenting a paper at the first day of the IV Simposio Internacional Jóvenes Investigadores del Barroco Iberoamericano “Las orillas del Barroco”, in the beautiful city of Cáceres (Spain).
A paper will be presented at the conferences session of the 4th FLAUTUÉ – Festival de Flauta Transversal, tomorrow April 1st, 16h00 at Colégio Mateus d’Aranda (University of Évora), by my colleague Rita Faleiro to whom I thank.
Tomorrow, March 21st, is seventh edition of the European Day for Early Music. I will be participating, although indirectly, with Grupo Vocal Olisipo for whom I have prepared several editions of eighteenth-century vocal polyphony by composers of Évora Cathedral.
Several of my editions of eighteenth-century sacred vocal polyphony were performed in concert last March 16th in Porto Moniz, Madeira Island, by Grupo Vocal Olisipo. The concert was part of the festival “Música a Norte – Ciclo de Música Barroca” …
I have recently publish an article on the Brazilian journal Revista Maracanan (written in Portuguese) about the context of historical soundscape surrounding the hermitage of Nossa Senhora dos Remédios in Angra do Heroísmo, during the sixteenth and seventeenth centuries.
This year begun with the publication of a new article on the seventeenth century soundscape of Angra do Heroísmo, a beautiful city in Terceira Island, Azores.
I have recently publish a brief text on Vicente Lusitano’s chromatic motet Heu me Domine in the online edition of the Portuguesese music magazine Glosas, edited by Movimento Patrimonial pela Música Portuguesa.
I have been interested in studying the presence of music in my home village’s church for years. Since my specialty is the study of plainchant and polyphony in the sixteenth to eighteenth centuries and now it is gradually focusing in …
Introduction to the Historical Soundscape of Flores Island Read more »
There is now available the edition I prepared for the Polyphonia series of Edições MPMP comprising two psalm settings by Portuguese composer Francisco Martins (c.1617-1680).