A new book chapter has just been published on a Routledge-published studies book on historical soundscapes. Soundscapes of the Early Modern Hispanophone and Lusophone Worlds was edited by Victor Sierra Matute and is part of the Routledge Critical Junctures in …
There’s been a lot of buzz online since the publishing of several yesterday in some British media such as the BBC or The Guardian regarding the Portuguese-born composer Vicente Lusitano.
It has now been published in the repository, through the Canto Mensurable editions the Magnificat Primi Toni (odd verses) by the sixteenth-century Italian composer Francesco Soriano, which is freely available for download in digital format.
I have been collaborating with Portuguese ensemble Grupo Vocal Olisipo and its director Armando Possante in the edition of the group’s latest CD, titled Herança (Heritage), which I think will be launched by the end of the year. I have …
Testimony for the CD “Herança” by Grupo Vocal Olisipo Read more »
In 12 October 2017 I participated in a Symposium that took place at the Convent of Christ, in Tomar, a former Templar house later transferred to the Portuguese Order of Christ, where I presented a paper on 17th-century Franciscan plainchant in …
One of my favourite motets by Tomás Luis de Victoria is the four-voice O quam gloriosum, a motet indicated for the feast of All Saints. It was one of his most published works with the first print in the 1572 …
The motet Ascendens Christus in altum by Spanish composer Tomás Luis de Victoria was first published in his 1572 book of motets, one of his finest publications where one can find other motets such as the famous O magnum mysterium …
Tomás Luis de Victoria • Ascendens Christus in altum Read more »
The human voice is probably one of our most valuable treasures, to which so much wonderful music has been composed since the beginnings of our civilisation. April 16th was chosen since 1999 to celebrate worldwide the phenomenon of voice. Its …
Together with Francisco Guerrero’s, Tomás Luis de Victoria’s double-choir setting of the Ave Maria (the only one actually by him) is probably one the “Ave Maria” settings from Iberian composers which I like more (although D. Pedro de Cristo’s setting is also …
In 2014 I had the opportunity of participating in an interdisciplinary research project, ORFEUS – The tridentine reformation and the music in the silence of the cloister: the monastery of S. Bento de Cástris, that involved musicology, architecture, art history, …